Musical interpretation

Upcoming Musical interpretation Lectures

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Tuesday, 14 February 2012 - 1:00pm

Mozart: Oboe Quartet in F major, k.370
With Mea Wade and players from the Royal Academy of Music...

Tuesday, 20 March 2012 - 1:00pm

Beethoven: String Quartet in F major, Op. 18 No.1
With the Wilhelm Quartet

How to be revolutionary without...

Tuesday, 15 May 2012 - 1:00pm

Pavlo Beznosiuk, one of the world's leading baroque violinists, explains and demonstrates the challenge of music for solo violin; works b...

Past Musical interpretation Lectures

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Tuesday 14 February 2012

Mozart: Oboe Quartet in F major, k.370
With Mea Wade and players from the Royal Academy of Music...

Monday 12 December 2011

Pachelbel: Canon
Purcell: Dido's Lament
Fauré: Violin Sonata

...

Tuesday 8 November 2011

Strauss: Sextet from Capriccio
Brahms: String Sextet Op.18
With players from the Royal Academy
...

Tuesday 18 October 2011

J S Bach Magnificat

The art of being succinct is not one always associated with the works of Bach; in...

Tuesday 19 April 2011

When so much in music education is formulated on the principle of imitation, and the passing down of received 'traditions' from teacher...

Tuesday 22 March 2011

Musical notation is both inexact and changeable; the assumptions of one period may be lost on following generations, and the greater...

Tuesday 15 February 2011

Although Mozart is the usual example of genius that springs to mind (a combination of youth and perfection), in this lecture Felix...

Tuesday 25 January 2011

Although Mozart's unfinished Requiem is the most publicised composition requiring a helping-hand, there are many similar incomplete may-...

Monday 22 November 2010

Why does music require a 'patron saint'? What are the qualifications of such a person, and how has the praise of a non-musical heroine...

Tuesday 9 November 2010

In its passage from manuscript composition to audible performance, a musical work passes through the hands of editors, teachers,...

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