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Wednesday, 11 March 2009, 12:00AM

Film Music: A musical interlude

Professor Roger Parker FBA

Jane Campion's 1993 film The Piano, with music by Michael Nyman, was one of the most acclaimed films of the early 1990s, but it quickly became controversial because of its depiction of the mute heroine Ada (played by Holly Hunter). Ada is a pianist, and mostly expresses herself through music: Nyman's score thus becomes a central feature of the film's narrative, although perhaps not always in ways that Campion may have intended.

Part of the series Film Music, by Roger Parker, Gresham Professor of Music.
Other lectures in this series include:
   An Introduction to Film Music
   Hitchcock's Psycho
   The Western
   Opera
   A Certain Train Station

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Professor Parker was the Gresham Professor of Music between 2006 and 2010. He is currently the Thurston Dart Professor of Music at King’s College London. He studied at the University of London, first at Goldsmiths, then at King’s. He then taught at Cornell University, at Oxford and at Cambridge, where he was Professor of Music and served as Chair of the School of Arts and Humanities. He has held Visiting Professorships at Princeton and at the University of California, Berkeley, where he was the Ernest Bloch Lecturer.
Roger Parker's work has centred on opera, in particular Italian opera of the nineteenth century. For ten years he was founding co-editor (with Arthur Groos) of the Cambridge Opera Journal, and he continues as General Editor (with Gabriele Dotto) of the Donizetti Critical Edition. He was a Guggenhiem Fellow in 1986-7, received the Premio Giuseppe Verdi in 1986, and in 1991 was awarded the Dent Medal of the Royal Musical Association. He has produced numerous publications but his latest book is Remaking the Song: Operatic Visions and Revisions from Handel to Berio.

To access all of Professor Parker's previous Gresham College lectures, please click here.

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11 March 2009

Film Music: A musical interlude
Professor Roger Parker FBA

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