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Thursday, 8 January 2015, 1:00PM
St. Sepulchre Without Newgate

The Guitar and the Romantic Vision of the Medieval World

Professor Christopher Page FBA, Ulrich Wedemeier, Taro Takeuchi

Between approximately 1750 and 1850, interest in the Middle Ages was fed by many activities with porous boundaries, including the antiquarianism of those who collected coins, seals and armour and the collection of poems generally called ‘ballads’ regarded as the core materials of nascent national literatures.
In poetry, and the many new publications offering serialised fiction in the Regency period, the guitar was often associated with a vanished medieval past, imagined as a time of Catholic ignorance but also of political stability and fluent minstrelsy. Here, as in other respects, the associations of the guitar ran counter to nineteenth-century industrialism and the encroachment of new brick-built suburbs into green land, and even to Anglicanism, since the guitar was strongly associated with Catholic Spain and an imagery of warm nights, vesper bells, and elderly duennas nodding over their books of hours.

 

Speaker_ChristopherPage_370x370.jpg

Christopher Page was Gresham Professor of Music from 2014-2018. He is Professor of Medieval Music and Literature, a Fellow of the British Academy and a Fellow at Sidney Sussex College, University of Cambridge. He is an internationally renowned performer and writer, as well as being an experienced presenter through BBC Radio. He holds the Dent Medal of the Royal Musical Association awarded for outstanding services to musicology.

In 1981 he founded the professional vocal ensemble Gothic Voices now with twenty-five CDs in the catalogue, three of which won the coveted Gramophone Early Music Record of the Year award. The ensemble has performed in Britain, France, Germany, Portugal, Spain, Italy, Sicily, Sweden, America, Israel, Poland, Belgium, the Netherlands, Switzerland, Austria and Finland. London dates included twice-yearly sell-out concerts at London’s Wigmore Hall. The ensemble gave its first Promenade Concert in 1989. The group’s work has been chronicled most recently in Daniel Leech-Wilkinson, The Modern Invention of Medieval Music (CUP, 2007) and Richard Taruskin, Text and Act (OUP, 2006).

Professor Page’s major 350,000 word study, The Christian West and its Singers: The First Thousand Years, was published by Yale University Press in 2010. Prior to this, his six other books include Songs and Instruments of the Middle Ages, Discarding Images: Reflections on Musical Life in Medieval France and The Summa Musicae: A Thirteenth-century Manual for Singers. He has edited three books of music, including Abbess Hildegard of Bingen: Sequences and Hymns.

Between 1989 and 1997, Professor Page was presenter of BBC Radio 3’s Early Music Programme, Spirit of the Age, and a presenter of the Radio 4 arts’ magazine Kaleidoscope.

Professor Page has been chairman of the National Early Music Association and of the Plainsong and Medieval Music Society (founded 1889) of whose new journal, now published by Cambridge University Press, he was a founding editor. He serves on the editorial boards of the journals Early Music (OUP) and Plainsong and Medieval Music (CUP). He was elected a Fellow of the Society of Antiquaries in 2008.

In 2012, Professor Page was a founder member of the Consortium for Guitar Research at Sidney Sussex College, an affiliate of the Royal Musical Association.

Professor Page is currently completing a monograph on the Tudor guitar, representing the more academic side of his interest in playing guitars of the sixteenth-nineteenth centuries in a historically informed manner.

Professor Page has been appointed Gresham Professor of Music from September 2014. In this role he hopes to achieve “the ambition of all Gresham Professors; showing that a little-studied aspect of the field can have much more breadth of interest, and interdisciplinary appeal, than one might initially suppose.”

Professor Page's lecture series were as follows:

2017/18 For Courtesan, Queen and Gallant: The Guitar in England from Henry VIII to Samuel Pepys

2016/17 The Christian Singer from the Gospels to the Gothic Cathedrals

2015/16 Music, Imagination and Experience in the Medieval World

2014/15 Men, Women and Guitars in Romantic England  

All of Professor Page's past Gresham lectures can be accessed here.

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Speaker_UlrichWedemeier.jpg

Ulrich Wedemeier first studied classical guitar at the Hochschule für Musik und Theater Hannover and subsequently specialized in playing lutes and historical guitars.
Besides being active as a soloist and with renowned early music ensembles, he concentrates on CD and radio productions.
In 2004 he received an Echo Klassik award with the ensemble Musica Alta Ripa for the CD “Telemann Vol. 1”, and in 2006 again an Echo Klassik with Hamburger Ratsmusik for the CD “Lübecker Virtuosen”.
Ulrich Wedemeier is a guest at many opera houses. Concert tours have brought him through all of Europe, the USA, Southeast Asia, and Japan.
Visit his website for more information.

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Speaker_TaroTakeuchi.jpg

Taro originally studied lute and early guitar with Nigel North at the Guildhall School of Music and Drama. Since leaving college, he has been in great demand as soloist and ensemble player, and has toured most European countries, Australia, New Zealand, Taiwan, USA and Japan. Taro plays all types of lutes and early guitars, and specializes particularly in double strung early guitars, including 5-course Baroque guitar, English guitar (guittar) and 6-course Spanish guitar.

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Transcript

8 January 2015

The Guitar and the Romantic Vision of the Medieval World
Professor Christopher Page FBA
Ulrich Wedemeier
Taro Takeuchi

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