Gresham College provides outstanding educational talks and videos for the public free of charge. There are over 2,500 videos available on our website. Your support will help us to encourage people's love of learning for many years to come.
Africans have been present in England for more than two thousand years, but we rarely see them or hear about them. And often their existence is dismissed as a figment of 'political correctness' or 'wokism.' This lecture will critically assess the myth of England's story as a 'sacred white space' and examine the evidence for diversity in medieval and early modern history. Africans are integral to English history and forgetting this diminishes Englishness, by preventing us from understanding ourselves.
The Malian city of Timbuktu is one of the world's oldest seats of learning and has an intellectual legacy of hundreds of thousands of manuscripts, coming from three great West African desert empires. These manuscripts offer a unique window into their history. This lecture will look at how their study can be used to advance our knowledge of the intellectual history of the premodern world.
From Horace Walpole to Ann Radcliffe, renegade novelists of the eighteenth century wanted to claim back the supernatural for fiction and so invented the Gothic Novel.
In the last ten years of his life Charles Dickens related to his adoring public in a number of different ways; as novelist, as journalist, as public speaker, and in public readings of his own work.
Amelia Dyer was one of the most prolific murderers in Victorian Britain. She made a living as a “baby farmer”, or someone paid to care for unwanted or abandoned infants – except she killed around 400 of them. How could a mother and nurse murder so many defenceless babies?
This lecture examines the centuries long presence of the African diaspora as an integral part of Britain’s history since Roman times. Unfortunately, this history is still too often ignored, its promotion limited only to October.
How do the different versions reflect the politics and culture of their own particular times? What makes a good Carol movie? Is it truth to the original or is it something else?
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