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In the 1960s, British filmmakers broke out of the studio to find new subjects among the young, fashionable and disadvantaged, seen in their natural habitats – not only in the North and Midlands, but in unfamiliar parts of London.
The changing balance of power and wealth between the aristocracy and the monarchy from the sixteenth to the nineteenth century has fundamentally influenced today’s national cultural landscape of art and architecture.
This lecture questions this view and shows how, from the sixteenth century, aristocratic families deployed their collections and commissioned their buildings in both town and country in order to further their political and dynastic ambitions.
Britain’s pioneer filmmaker, born 150 years ago in North London, vividly portrayed the variety of life in ‘the imperial metropolis’ at the end of the 19th century, conscious of its historic appeal but also emphasising the modernity of which he was a part.
An integral part of the tumultuous political events of the century was the cultural ambition of the principal players who form the subject of this lecture.
The earliest London-made films showed the Victorian city doing everyday business, before its fictional screen image became increasingly shadowy and sinister.
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