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After Stalin’s death in 1953, successive leaders tried to find ways to revitalise the Soviet regime and rethink its promises to the Soviet people. Life within a system no longer based on terror and intense industrial transformation offered citizens strange alternatives.
It is well known that Shakespeare lived in an age of monarchy and wrote powerfully in his English history plays about the duties of the sovereign. In this lecture, Jonathan Bate will tell another, forgotten story: of how Shakespeare was also fascinated by Roman political models.
The Rape of Lucrece set the mould for Shakespeare’s exploration of the tragic consequences of sexual desire turning to violence. Jonathan Bate will show how Shakespeare developed these themes from his reading of the great Roman poet Ovid.
The lecture will explore what we know (and don’t know) about sexual violence from a global perspective. How have people in different periods of history and in a variety of countries understood and responded to assaults?
Jonathan Bate tells the story of how and why Shakespeare was steeped in the classics, from his earliest plays such as Titus Andronicus and The Comedy of Errors to his dramatisations of the stories of Julius Caesar and Antony and Cleopatra.
This opening lecture of the series, with musical illustrations, will use documents, poetry and images to bring the instrument to life, with a particular focus on the autobiography of the beguiling Tudor musician Thomas Whythorne.
To mark the anniversary of the Russian Revolution, the dilemmas of modern empire and monarchy will be discussed, firstly in general terms and then specifically in terms of Russia.
Hans Holbein the Younger, portraitist, muralist, designer of jewellery and precious metalware, spent half of his distinguished career in London during the turbulent reign of King Henry VIII.
As part of the symposium entitled ‘Cultural Heritage and War’, Sir Derek Plumbly, Dr Elisabeth Kendall and Dr Mark Altaweel answer questions from the floor in panel discussion chaired by Professor Tim Connell.