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Darwin’s Descent of Man was dominated by the theory of sexual selection, which Darwin used to explain peacock’s tails, but also to argue that white people were as superior to black ones as men were to women.
Despite the controversy, evolution was widely accepted by many naturalists within a few years of the Origin’s appearance. An important reason for this rapid triumph was Darwin’s botanical works. Seen through evolutionary eyes, plants proved to be mobile, carnivorous, sensitive – even crafty.
When Darwin finally published the On the Origin of Species, he tried to avoid controversy by ignoring human origins. Yet evolution was soon being attacked as the godless ‘monkey theory’.
Following the Beagle voyage, Darwin settled down to a quiet married life, relying on correspondence to gather facts. He wrote thousands of letters as he gathered facts to support his still-secret theory.
In celebrating 500 years since the birth of Sir Thomas Gresham, Professor Jones will examine how changes since the sixteenth century have affected the evolution of human beings.
Musorgsky’s opera Boris Godunov (1872) is set in the ‘Time of Troubles’, using Pushkin’s incisive verse tragedy on the chaotic period preceding the establishment of the Romanovs.
The rousing finale of Mikhail Glinka's patriotic A Life for the Tsar (1836) guaranteed it a place as the traditional season opener in Russian opera houses.
Today's event
Today's event, The Gresham Festival of Musical Ideas, will not be livestreamed. Recordings of all lectures will be published soon!