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World War Two set British filmmakers a challenge: to be relevant and entertaining and to inspire without patronising. Powell and Pressburger brought wit and imagination to their task, questioning what Britain stood for, warts and all.
2019 marks 100 years since the Sex Disqualification (Removal) Act 1919 when a woman was recognised as a ‘person’ in law. This groundbreaking Act enabled women to be awarded university degrees and to enter professions such as law and medicine from which they had been barred.
This lecture explores how the partnership worked during the 1940s, drawing in collaborators from many backgrounds who also excelled, and benefiting from the extraordinary conditions of wartime Britain.
Professor Delahunty has striven to talk openly about the way in which the Family Court deals with emotive and challenging issues such as sexual abuse, child death in infancy, child neglect and child exploitation. At what personal cost is that work undertaken?
What happens when doctors and parents cannot agree on whether a child should be given experimental medical treatment? Why is there any question mark over a parent’s right to decide if medical treatment for their child continues?
In the 1960s, British filmmakers broke out of the studio to find new subjects among the young, fashionable and disadvantaged, seen in their natural habitats – not only in the North and Midlands, but in unfamiliar parts of London.
Britain’s pioneer filmmaker, born 150 years ago in North London, vividly portrayed the variety of life in ‘the imperial metropolis’ at the end of the 19th century, conscious of its historic appeal but also emphasising the modernity of which he was a part.