Gresham College provides outstanding educational talks and videos for the public free of charge. There are over 2,500 videos available on our website. Your support will help us to encourage people's love of learning for many years to come.
For nearly seventy years, what might be called ‘the canon’ of greatest films has been arbitrated by an international poll of critics delivering a ‘ten best’ list every decade, published in the BFI’s Sight & Sound.
Is the jury system the bulwark of individual liberty? This lecture will look at the role of the so-called “perverse jury” in acquitting defendants where the law, or the charge itself, is deemed unjust.
How do we investigate violent and unexpected deaths at the inquest? Who investigates? When do deaths get referred to the Coroner? Are inquests non-adversarial and inquisitorial? When do you have a jury? What are findings, determinations and conclusions (aka verdicts)? Can you appeal?
China’s media provide a window into the Chinese mind, as the country asserts itself in the world as a great power. What do Chinese people think is the purpose of life? What matters most to them? In what do they believe? How do officials and journalists explain their responsibilities?
This lecture examines the centuries long presence of the African diaspora as an integral part of Britain’s history since Roman times. Unfortunately, this history is still too often ignored, its promotion limited only to October.
In 1920, Nellie Melba’s singing was transmitted to Europe and Newfoundland via the wireless. In 1922 the BBC began broadcasting, and from the outset sponsored new music and relayed outside broadcasts to the nation (and from 1932, to the world).
Stories about islands punctuate the careers of Michael Powell and Emeric Pressburger, from Powell’s breakthrough with Edge of the World (1936) to the Hebridean journey of I Know Where I’m Going! (1945), and the final act of their Tales of Hoffmann (1951).
How do the different versions reflect the politics and culture of their own particular times? What makes a good Carol movie? Is it truth to the original or is it something else?
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