Gresham College provides outstanding educational talks and videos for the public free of charge. There are over 2,500 videos available on our website. Your support will help us to encourage people's love of learning for many years to come.
This lecture will explore Napoleon‘s life through his interactions with the natural world and a series of gardens that were important to him during the rise and fall of his power. The point of doing this is to approach his life from oblique angles, exploring material that is often overlooked.
On the 200th anniversary of George IV's accession to the throne, this lecture considers whether or not he had any real impact on the fast-industrialising world around him, and the turbulent political times he lived through.
Jonathan Bate will track Keats to Hampstead and tell of the extraordinary circle of writers – opium-eater Thomas De Quincey, essayist Charles Lamb, master-critic William Hazlitt – who wrote for The London Magazine, until its gifted editor was killed in a duel with a rival critic.
We often think of the British countryside as 'natural' but it is anything but. We need to understand the specific processes that created habitats in order to ensure their survival into the future.
Jonathan Bate will explain what Hazlitt meant and why Lyrical Ballads, the product of Wordsworth's intimate friendship with Samuel Taylor Coleridge, is one of the greatest and most influential volumes of poetry ever written.
Constable's Stour landscapes of the Regency period, during and just after the War with France, and his publication English Landscape Scenery, champion local and low-key rural England.
The first Conservation Areas were designated in 1967, today at the golden anniversary there are some 10,000 sites. The presentation will explore the origins, variety and some challenges for the future.
A musical journey into The Orgelbüchlein - the jewel in Bach's organ music - a collection of magnificent miniatures which encompass all the musical emotions and which allow the organist to show all the colours and sonorities of the instrument at his disposal.
There was a time when old places were valued simply for their beauty and interest, but now this is not enough. Are calculations of the financial contribution of our history adding to the value of our heritage or have they fundamentally devalued it?