Gresham College provides outstanding educational talks and videos for the public free of charge. There are over 2,500 videos available on our website. Your support will help us to encourage people's love of learning for many years to come.
Stereoscopic photography rapidly became a worldwide craze after the Great Exhibition of 1851. Cheap viewers and mass-produced stereographs brought startlingly vivid images within reach of a mass audience, making this the form in which most people first encountered photography.
The Rape of Lucrece set the mould for Shakespeare’s exploration of the tragic consequences of sexual desire turning to violence. Jonathan Bate will show how Shakespeare developed these themes from his reading of the great Roman poet Ovid.
Catherine Roach uncovers what we learn from the romance story about today’s changing norms for gender and sexuality and about the nature of happiness and love.
What do we mean by a hero and where does our understanding of the ‘heroic’ idiom come from? In this lecture, Jonathan Bate will show how Shakespeare’s idea of the hero was shaped by the classical tradition, going back to the ancient tale of Troy and Virgil’s epic poem The Aeneid.
Samuel Palmer, in his Shoreham period in the 1820s and 30s, seized on the long tradition of classical pastoral landscapes, and wrested it into an English idiom.
Constable's Stour landscapes of the Regency period, during and just after the War with France, and his publication English Landscape Scenery, champion local and low-key rural England.
Professor Todd will be discussing patriotism in Austen’s time and her particular attitude to it; her sense of what Englishness is, materially and politically, and how it manifests itself in daily life.
The late eighteenth and early nineteenth- century vogue for the Picturesque and for forging an English landscaping tradition (with frameable landscape scenery and managed wildness) will be the starting point for discussion.
Jonathan Bate tells the story of how and why Shakespeare was steeped in the classics, from his earliest plays such as Titus Andronicus and The Comedy of Errors to his dramatisations of the stories of Julius Caesar and Antony and Cleopatra.