Gresham College provides outstanding educational talks and videos for the public free of charge. There are over 2,500 videos available on our website. Your support will help us to encourage people's love of learning for many years to come.
Simon Lancaster believes that the successful speechwriter is less of a puppeteer and more of an impressionist. In his talk, he will share a number of stories and anecdotes from his time as speechwriter.
It is well known that Shakespeare lived in an age of monarchy and wrote powerfully in his English history plays about the duties of the sovereign. In this lecture, Jonathan Bate will tell another, forgotten story: of how Shakespeare was also fascinated by Roman political models.
The Rape of Lucrece set the mould for Shakespeare’s exploration of the tragic consequences of sexual desire turning to violence. Jonathan Bate will show how Shakespeare developed these themes from his reading of the great Roman poet Ovid.
Catherine Roach uncovers what we learn from the romance story about today’s changing norms for gender and sexuality and about the nature of happiness and love.
Constable's Stour landscapes of the Regency period, during and just after the War with France, and his publication English Landscape Scenery, champion local and low-key rural England.
Jonathan Bate tells the story of how and why Shakespeare was steeped in the classics, from his earliest plays such as Titus Andronicus and The Comedy of Errors to his dramatisations of the stories of Julius Caesar and Antony and Cleopatra.
This opening lecture of the series, with musical illustrations, will use documents, poetry and images to bring the instrument to life, with a particular focus on the autobiography of the beguiling Tudor musician Thomas Whythorne.
Frost's line, 'I found a dimpled spider... holding up a moth like a white piece of rigid satin cloth' exploits simile... But how can a moth be like cloth? -This is one of a number of examples that will be explored with a view to refining our understanding of smilie.
In the line, 'The Western wave was aflame', the 'Western wave' refers to the sea. But is it this simple? What do forms of substitution, synecdoche for example, lend to this magnificent and shadowy poem?
'When well-appareled April on the heel / Of limping winter treads'. A calendar month cannot dress, nor can a season walk. This lecture will explore the magic of personification in Shakespeare's poetry.
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