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It is well known that Shakespeare lived in an age of monarchy and wrote powerfully in his English history plays about the duties of the sovereign. In this lecture, Jonathan Bate will tell another, forgotten story: of how Shakespeare was also fascinated by Roman political models.
The campaign to achieve the parliamentary vote for women (6 February 1918) took 52 years, from 1866 to 1918. During that time women and their male supporters employed both parliamentary and extra-parliamentary tactics, ranging from the presentation of petitions to the detonation of bombs.
The Rape of Lucrece set the mould for Shakespeare’s exploration of the tragic consequences of sexual desire turning to violence. Jonathan Bate will show how Shakespeare developed these themes from his reading of the great Roman poet Ovid.
Jonathan Bate tells the story of how and why Shakespeare was steeped in the classics, from his earliest plays such as Titus Andronicus and The Comedy of Errors to his dramatisations of the stories of Julius Caesar and Antony and Cleopatra.
This opening lecture of the series, with musical illustrations, will use documents, poetry and images to bring the instrument to life, with a particular focus on the autobiography of the beguiling Tudor musician Thomas Whythorne.
The times they are a-changing - or are they? Do female lawyers need to be Superwoman to survive? This lecture will explore the reality of life at the Bar and why vocation matters.
Hans Holbein the Younger, portraitist, muralist, designer of jewellery and precious metalware, spent half of his distinguished career in London during the turbulent reign of King Henry VIII.