A recital by Alumni of the Royal College of Music: Magali Arnault Stanczak (soprano), John McMunn (tenor) and Ouri Bronchti (piano).
Extract from Le Diable dans le beffroi (Edgar Allen Poe, reconstruction Robert Orledge)
Mélodies, including the Quatre mélodies de jeunesse and 'Le matelot qui tombe à l'eau'
Théodore de Banville (1823–1891)
Diane au bois (reconstruction Richard Langham Smith)
Robert Orledge became Professor of Music at Liverpool University in 1991, specialising as a historical musicologist in the way composers composed, and publishing numerous books and articles on Fauré, Debussy, Koechlin and Satie. Since taking early retirement in 2004, he has become a ‘creative musicologist’, concentrating on completing and orchestrating Debussy’s unfinished works. His completion of The Fall of the House of Usher was successfully premiered at the Bregenz Opera Festival in 2006, alongside the Chinese ballet No-ja-li in Los Angeles. His Nocturne pour violon et orchestre was broadcast from the Amsterdam Concertgebouw in November 2011 with Isabelle Faust as soloist and Heinz Holliger conducting, and his most recent completion is Le Diable dans le beffroi. His volume of Debussy's orchestrations is due to be published in the Durand Oeuvres completes (V/11) later this year.
Professor Richard Langham Smith is a musicologist who has written on Debussy and contemporary French music in general. He read music at the University of York, he then pursued further study on the harpsichord and Baroque performance practice at the Amsterdam Conservatory. He has taught at the University of Lancaster, City University, the University of Exeter, and the Open University. Currently, he is Head of the Graduate School at the Royal College of Music, London. He was the Visiting Gresham Professor of Music in 2003.