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How to be a Shakespearean Atheist

This lecture will explore how the sixteenth century found ways of distancing itself from religion.

The Theatre of Dionysus

This lecture outlines the origins of Greek drama in this historic setting, its architectural development and some of the greatest masterpieces.

What is Greek Theatre?

Prof. Edith Hall breaks down the tragedy from the comedy...

Shakespeare's Stages

Leading actor and Shakespeare scholar Michael Pennington discusses the direct effect on the dramatist's writing of the theatres he wrote for, so different from ours.

Was Sappho Really a Women?

Prof. Edith Hall defends the authenticity of Sappho's poetry in...

The Riddle of Ancient Sparta: Unwrapping an Enigma

This lecture seeks to shed light rather than heat, by assessing just how odd (different, exceptional, peculiar) Sparta really might have been.

Shakespeare's Fame

This final lecture will show how Shakespeare helped to immortalize the famous figures of ancient Greece and Rome, and how he in turn became famous after his death.

Shakespeare's Ghosts and Spirits

In this lecture, Jonathan Bate will summon up the ghosts of Old Hamlet, the victims of Richard III and Julius Caesar, revealing their origins in the bloody plays of Seneca.

Slave Stories: Aesop and Walter Crane

The lecture asks how the ancient fables address power relations in a slave society. Were they primarily stories for and by slaves, or did they serve ruling-class interests?

It is well known that Shakespeare lived in an age of monarchy and wrote powerfully in his English history plays about the duties of the sovereign. In this lecture, Jonathan Bate will tell another, forgotten story: of how Shakespeare was also fascinated by Roman political models.

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