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An integral part of the tumultuous political events of the century was the cultural ambition of the principal players who form the subject of this lecture.
The establishment of the People’s Republic of China in 1949 gave Chinese artists a government that had explicit policies for the arts, seeing them as an essential part of the creation of ‘new China’.
The lecture asks how the ancient fables address power relations in a slave society. Were they primarily stories for and by slaves, or did they serve ruling-class interests?
Starting with literary examples from Dickens, this lecture will untangle the complexity of shadow-meaning by exploring how artists have used shadows since ancient times.