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Father and son, William and Robert Cecil, not only dominated politics for much of Elizabeth I and James I reign but dominated architectural fashion. Building a series of spectacular houses, they, and not the monarchy, were the great palace builders of their age.
A family best known for producing one of England’s most famous queen consorts started out owning substantial estates in Norfolk before buying, and inheriting, a series of major houses close to London.
The changing balance of power and wealth between the aristocracy and the monarchy from the sixteenth to the nineteenth century has fundamentally influenced today’s national cultural landscape of art and architecture.
This lecture questions this view and shows how, from the sixteenth century, aristocratic families deployed their collections and commissioned their buildings in both town and country in order to further their political and dynastic ambitions.
This lecture explores how regulators try to prevent what will hopefully be the ‘last’ bubble and suggests that the most effective regulatory frameworks were developed during the normal operation of markets, not in response to crises.
Using contemporary print and theatre, this lecture will discuss how England and Englishness was defined, even as the boundaries between the home and the world became increasingly diffuse.
An integral part of the tumultuous political events of the century was the cultural ambition of the principal players who form the subject of this lecture.
Professor Burridge considers ethical material across the New Treatment, drawing upon experience as the Deputy Chair of the Church of England's Ethical Investment Advisory Group.