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Charles II‘s illegitimate son, the Duke of Monmouth, became one of the most influential and powerful men at the Restoration court. He married a Scottish heiress, Anne Scott, and together they became leaders of fashion and taste.
Cinema’s original canons were based on a small number of works most highly esteemed by archivists and historians. But access to the history of film has been dramatically expanded by digital media, as have debates between those arguing from different premises.
Canons of taste and value in other media, such as literature, art and music, have been challenged in recent decades by proponents of sexual and ethnic equality.
For nearly seventy years, what might be called ‘the canon’ of greatest films has been arbitrated by an international poll of critics delivering a ‘ten best’ list every decade, published in the BFI’s Sight & Sound.
The Brothers Grimm’s tale of Snow White has been retold dozens of times in print and the cinema over the past two centuries. A central character is the Evil Queen, Snow White’s malevolent stepmother, who tries to kill her with the help of the occult.
Father and son, William and Robert Cecil, not only dominated politics for much of Elizabeth I and James I reign but dominated architectural fashion. Building a series of spectacular houses, they, and not the monarchy, were the great palace builders of their age.