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An integral part of the tumultuous political events of the century was the cultural ambition of the principal players who form the subject of this lecture.
Musorgsky’s opera Boris Godunov (1872) is set in the ‘Time of Troubles’, using Pushkin’s incisive verse tragedy on the chaotic period preceding the establishment of the Romanovs.
The rousing finale of Mikhail Glinka's patriotic A Life for the Tsar (1836) guaranteed it a place as the traditional season opener in Russian opera houses.
London is home to two of the oldest working theatres in the world both founded by Charles II’s patents. Professor Thurley looks at the significance and impact of these great institutions on the development of London.
Edwardian architecture in particular provides a fascinating commentary on broader historical themes – not only in its use of style and its remodelling of old buildings but also in the range of new activities it provided for.
Based on new research into the origins of St. James’s, Simon Thurley looks into the ingredients that went into making a court quarter there and the way it formed a blueprint for the new West End of London.
This lecture uncovers what we know about the ‘real Sappho’, an aristocrat who lived between 630 and 570 BCE on the island of Lesbos and socialised in the lavish courts of upstart tyrants.
In the first of two lectures with the theme ‘Merchants, Money and Megalomania’, Simon Thurley will unearth the lost mercantile buildings of medieval London and show how influential they were.