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A family best known for producing one of England’s most famous queen consorts started out owning substantial estates in Norfolk before buying, and inheriting, a series of major houses close to London.
Mathematics and art are more similar than is commonly thought. Each is concerned with the process of being highly creative with abstract objects and of producing everlasting work of great aesthetic beauty.
The changing balance of power and wealth between the aristocracy and the monarchy from the sixteenth to the nineteenth century has fundamentally influenced today’s national cultural landscape of art and architecture.
This lecture questions this view and shows how, from the sixteenth century, aristocratic families deployed their collections and commissioned their buildings in both town and country in order to further their political and dynastic ambitions.
An integral part of the tumultuous political events of the century was the cultural ambition of the principal players who form the subject of this lecture.
The establishment of the People’s Republic of China in 1949 gave Chinese artists a government that had explicit policies for the arts, seeing them as an essential part of the creation of ‘new China’.
London is home to two of the oldest working theatres in the world both founded by Charles II’s patents. Professor Thurley looks at the significance and impact of these great institutions on the development of London.