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Crime in Fiction: Defoe and Dickens to Spark, Highsmith and McEwan

Why did stories of criminals become irresistible for novelists? Starting...

What Clinicians Can Learn From Forensic Scientists

Clinical practice depends on the acquisition and analysis of evidence - detailed information from each patient’s clinical history, laboratory tests, imaging scans and biopsies. Yet data on its own is not enough, and must always be interpreted in the context of each unique person.

Giotto and the Early Italian Renaissance

Italo-Byzantine art will be considered as background to the early or ‘proto’ Renaissance at a time when Italy was a focus of stylistic cross-currents from South, East and Northern Europe.

Far From Hollywood: New Kinds of Classic Film

Canons of taste and value in other media, such as literature, art and music, have been challenged in recent decades by proponents of sexual and ethnic equality.

Mathematical Journeys into Fictional Worlds

Literary satire has long used mathematical concepts to reinforce its points.

What Makes a Film Classic?

For nearly seventy years, what might be called ‘the canon’ of greatest films has been arbitrated by an international poll of critics delivering a ‘ten best’ list every decade, published in the BFI’s Sight & Sound.

Christmas Lies and Legends

Is Santa really Dutch? Were Christmas Trees introduced by Prince Albert? Was Christmas once a time of faith, rather than riotous feasting?

Snow White: Evil Witches

The Brothers Grimm’s tale of Snow White has been retold dozens of times in print and the cinema over the past two centuries. A central character is the Evil Queen, Snow White’s malevolent stepmother, who tries to kill her with the help of the occult.

John Evelyn: Britain’s First Environmentalist

Air pollution, the usefulness of trees, ideas for a green belt are not concerns we associate with the 1600s. But John Evelyn, writer, diarist and gardener, was unusual. His thinking in Fumifugium (1661) about air quality, and Sylva (1664) about trees, seems astonishingly close to our own today.

Convincing Fiction: Daniel Defoe to Ishiguro and Knausgaard

How does fiction make itself seem like fact? Professor John Mullan begins where novels begin: with Defoe’s Robinson Crusoe, which showed every novel that followed how to make a ‘strange surprising’ story seem entirely ‘probable’ (the word that eighteenth-century pioneers of fiction liked t

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