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Frozen in Time?

This talk will review the dramatic consequences on what we observe in the night sky that arise purely from the consequences of light-travel time effects.

This talk will explain how the speed of light was first measured, and how an obscure but brilliant patent clerk in Bern, Switzerland by the name of Albert Einstein deduced that the speed of light is the upper speed limit for everything in the Universe.

Exporting Russia: Diaghilev’s Beginnings

In this lecture we follow his early years, when he published The World of Art, a provocative Russian journal, exhibited Russian visual art in Paris, and then brought Russian music there, culminating in his production of Musorgsky’s opera Boris Godunov.

Archers Assemble: Creating The Powell-Pressburger Partnership

This lecture explores how the partnership worked during the 1940s, drawing in collaborators from many backgrounds who also excelled, and benefiting from the extraordinary conditions of wartime Britain.

Byron and the Age of Sensation

Jonathan Bate will explore the life and work of the original celebrity poet - Lord Byron.

Toothpaste, Custard and Chocolate: Mathematics Gets Messy

This talk looks at mathematical modelling of real, complex fluids in flow situations – some with serious commercial applications, and some just for fun.

Creativity: Can Computers Cut It?

We will look at technology that enables creativity (not always of a good kind) and the prospects for a machine to create works of art.

Jesus, Hitler and the Abolition of God

This series has argued that the origins of modern secularism lie in the age of the Renaissance. This last lecture will track that legacy down to the present.

Leonardo's Salvator Mundi: Scholarship, Science and Skulduggery

The newly discovered Salvator by Leonardo, the world’s most costly picture, is one of his most notable creations, in which he used his ‘science of art’ to transform a stock subject into a profound expression of the ineffability of the divine. We will look at the remarkable story of its discove

London Belongs to Us: Street-Life and New Wave British Cinema of the 1960s

In the 1960s, British filmmakers broke out of the studio to find new subjects among the young, fashionable and disadvantaged, seen in their natural habitats – not only in the North and Midlands, but in unfamiliar parts of London.

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