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The late eighteenth and early nineteenth- century vogue for the Picturesque and for forging an English landscaping tradition (with frameable landscape scenery and managed wildness) will be the starting point for discussion.
An economic model for news that have existed for 200 years or more is disappearing. Are we facing the prospect of societies without 'news' as previously understood? And why does it matter?
Charles Dickens's expert eye for detail enabled him to describe many medical conditions in his writings. Dickens also suffered with a number of medical conditions which will be discussed in detail during the lecture.
Frost's line, 'I found a dimpled spider... holding up a moth like a white piece of rigid satin cloth' exploits simile... But how can a moth be like cloth? -This is one of a number of examples that will be explored with a view to refining our understanding of smilie.
There was a time when old places were valued simply for their beauty and interest, but now this is not enough. Are calculations of the financial contribution of our history adding to the value of our heritage or have they fundamentally devalued it?
In the line, 'The Western wave was aflame', the 'Western wave' refers to the sea. But is it this simple? What do forms of substitution, synecdoche for example, lend to this magnificent and shadowy poem?
A celebration of the heart for St Valentine’s Day. How is it that a simple pump has become a symbol of the highest human emotions of love, truth, conscience and moral courage? How have artists represented this? An interdisciplinary presentation.
The blight of the concrete municipal buildings of the 1960s and 70s in the historic centres of our cathedral cities is all too familiar. Everyone wants to avoid the same mistakes being made again, but can we reconcile old and new in our historic cities?
'When well-appareled April on the heel / Of limping winter treads'. A calendar month cannot dress, nor can a season walk. This lecture will explore the magic of personification in Shakespeare's poetry.