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This series has argued that the origins of modern secularism lie in the age of the Renaissance. This last lecture will track that legacy down to the present.
The newly discovered Salvator by Leonardo, the world’s most costly picture, is one of his most notable creations, in which he used his ‘science of art’ to transform a stock subject into a profound expression of the ineffability of the divine. We will look at the remarkable story of its discove
In the 1960s, British filmmakers broke out of the studio to find new subjects among the young, fashionable and disadvantaged, seen in their natural habitats – not only in the North and Midlands, but in unfamiliar parts of London.
The Protestant Reformation set out to purge Christianity of error. But once you have started, how do you know when to stop? Some radicals tore up layer upon layer of tradition in the tireless search for deeper truths, proving their faith by their refusal to believe.
The changing balance of power and wealth between the aristocracy and the monarchy from the sixteenth to the nineteenth century has fundamentally influenced today’s national cultural landscape of art and architecture.
This lecture will look at how and why Christians in the seventeenth century first began seriously to wrestle with unbelief, whether troubled by feelings that God was absent, worries about religious variety or fear of damnation.