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This series has argued that the origins of modern secularism lie in the age of the Renaissance. This last lecture will track that legacy down to the present.
The newly discovered Salvator by Leonardo, the world’s most costly picture, is one of his most notable creations, in which he used his ‘science of art’ to transform a stock subject into a profound expression of the ineffability of the divine. We will look at the remarkable story of its discove
In the 1960s, British filmmakers broke out of the studio to find new subjects among the young, fashionable and disadvantaged, seen in their natural habitats – not only in the North and Midlands, but in unfamiliar parts of London.
The changing balance of power and wealth between the aristocracy and the monarchy from the sixteenth to the nineteenth century has fundamentally influenced today’s national cultural landscape of art and architecture.
In 431 BCE the Athenian statesman Pericles delivered one of the most influential speeches of all time, his Epitaphios or Funeral Oration. The occasion was at the funeral of the first Athenian soldiers to lose their lives in the Peloponnesian War.
An integral part of the tumultuous political events of the century was the cultural ambition of the principal players who form the subject of this lecture.
Jonathan Bate will follow in the footsteps of the 18th-century inventors of the ‘picturesque’ and show how Wordsworth shaped the vision of his native region, leading to the foundation of the National Trust and the idea of a National Park.
Why has it taken so long to crack the speech processing puzzle? Why do we find speech processing so effortless and machines find it so daunting? And what progress can we expect in the next few years?
In the third of his lectures on the rhetoric of Romanticism, Jonathan Bate will explore how they did so, with particular emphasis on the role of children in the poetry of Blake and Wordsworth.
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