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Mathematics and art are more similar than is commonly thought. Each is concerned with the process of being highly creative with abstract objects and of producing everlasting work of great aesthetic beauty.
This series has argued that the origins of modern secularism lie in the age of the Renaissance. This last lecture will track that legacy down to the present.
The newly discovered Salvator by Leonardo, the world’s most costly picture, is one of his most notable creations, in which he used his ‘science of art’ to transform a stock subject into a profound expression of the ineffability of the divine. We will look at the remarkable story of its discove
The changing balance of power and wealth between the aristocracy and the monarchy from the sixteenth to the nineteenth century has fundamentally influenced today’s national cultural landscape of art and architecture.
An integral part of the tumultuous political events of the century was the cultural ambition of the principal players who form the subject of this lecture.
Jonathan Bate will follow in the footsteps of the 18th-century inventors of the ‘picturesque’ and show how Wordsworth shaped the vision of his native region, leading to the foundation of the National Trust and the idea of a National Park.