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Black Tudors: Three Untold Stories

Dr Kaufmann tells the intriguing tales of three Africans living in Tudor England.

Slavery, Memory and Reparations

This talk will examine how the history and memory of enslavement shaped questions of identity and citizenship in Europe.

Organ Transplants and Human Rights Abuses in China

This lecture reports on the findings of "The Independent Tribunal into Forced Organ Harvesting from Prisoners of Conscience in China" (June 2019), which examined reports of state-sponsored murder for the harvesting and sale of organs.

Human Traffic: Race and Post-War Migration Policy

In the years after 1945 successive British governments set out to weaponise the nation’s immigration policy.

Did Prison Change Mandela?

Prof. Elleke Boehmer explores how prison did or did not...

Nelson Mandela in the 21st Century

To mark the 100th anniversary of his birth, the legacy of Nelson Mandela (1918-2013), first president of democratic South Africa, will be considered - both within his country and in the wider world.

China: Art, Power and Revolutions, 1950-1976

The establishment of the People’s Republic of China in 1949 gave Chinese artists a government that had explicit policies for the arts, seeing them as an essential part of the creation of ‘new China’.

China: Art, War and Salvation, 1933-1949

After the founding of the Chinese Communist Party in 1921, many artists and intellectuals in China saw the overthrow of ‘tradition’ as the means to rescue the nation from poverty and backwardness.

China: New Nation, New Art, 1911-1932

The 1920s in China saw both the political chaos of warlordism, but also a flowering of creativity which drew on the keen awareness by many of China’s potential as part of a global modernism.

The Gospel of Apartheid

South Africa’s Dutch Reformed Church (DRC) and the Afrikaner people it served had, since the 17th century drawn a distinction between white ‘Christians’ and the apparently unconvertible ‘heathen’ peoples around them. Theology legitimised apartheid, but was also instrumental in its end.

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