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Leading actor and Shakespeare scholar Michael Pennington discusses the direct effect on the dramatist's writing of the theatres he wrote for, so different from ours.
The establishment of the People’s Republic of China in 1949 gave Chinese artists a government that had explicit policies for the arts, seeing them as an essential part of the creation of ‘new China’.
This final lecture will show how Shakespeare helped to immortalize the famous figures of ancient Greece and Rome, and how he in turn became famous after his death.
In this lecture, Jonathan Bate will summon up the ghosts of Old Hamlet, the victims of Richard III and Julius Caesar, revealing their origins in the bloody plays of Seneca.
It is well known that Shakespeare lived in an age of monarchy and wrote powerfully in his English history plays about the duties of the sovereign. In this lecture, Jonathan Bate will tell another, forgotten story: of how Shakespeare was also fascinated by Roman political models.
After the founding of the Chinese Communist Party in 1921, many artists and intellectuals in China saw the overthrow of ‘tradition’ as the means to rescue the nation from poverty and backwardness.
The Rape of Lucrece set the mould for Shakespeare’s exploration of the tragic consequences of sexual desire turning to violence. Jonathan Bate will show how Shakespeare developed these themes from his reading of the great Roman poet Ovid.
What do we mean by a hero and where does our understanding of the ‘heroic’ idiom come from? In this lecture, Jonathan Bate will show how Shakespeare’s idea of the hero was shaped by the classical tradition, going back to the ancient tale of Troy and Virgil’s epic poem The Aeneid.