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Jonathan Bate tells the story of how and why Shakespeare was steeped in the classics, from his earliest plays such as Titus Andronicus and The Comedy of Errors to his dramatisations of the stories of Julius Caesar and Antony and Cleopatra.
This opening lecture of the series, with musical illustrations, will use documents, poetry and images to bring the instrument to life, with a particular focus on the autobiography of the beguiling Tudor musician Thomas Whythorne.
An exploration of a time when there were no stars or galaxies, and the universe was transparent - how were the first indications of the state of the universe in the dark ages discovered?
Professor Silk will explore the origin of this paradigm shift in our cosmic horizon, and discuss the origin of the acceleration as a phenomenon that we call dark energy.
Can a scientific theory ever be confirmed? Must a scientific theory be falsifiable? Theories such as that of the multiverse and string theory will be considered.
In the first three minutes after the beginning of the universe, all of the stuff that we and the Earth are made of were created and the universe attained its huge size, homogeneity and isotropy.
Amongst all his astronomical allusions, Shakespeare demonstrates a deep knowledge of the night sky and its movements, including the new Copernican world-view. What can we learn of Elizabethan astronomy and Shakespeare's knowledge of it from the plays?