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Giotto and the Early Italian Renaissance

Italo-Byzantine art will be considered as background to the early or ‘proto’ Renaissance at a time when Italy was a focus of stylistic cross-currents from South, East and Northern Europe.

The Art of Maths

Mathematics and art are more similar than is commonly thought. Each is concerned with the process of being highly creative with abstract objects and of producing everlasting work of great aesthetic beauty.

The Origins of the Elements

In this talk, Dr Wilkins will discuss the astrophysical origins of the chemical elements, almost all of which have an origin ranging from the big bang, to exploding white dwarfs, the collapse of massive stars, and the merger of ultra-compact objects, neutron stars.

Creativity: Can Computers Cut It?

We will look at technology that enables creativity (not always of a good kind) and the prospects for a machine to create works of art.

Energy and Matter at the Origin of Life

The origin of life is one of the biggest questions in science, but until recently it was, experimentally, a question in chemistry. Now, gene sequences and a better understanding of cell growth under extreme conditions are giving insights from biology.

Ruskin at 200: The Art Critic as Word-Painter

Ruskin’s Bicentenary on 8 February 2019 will be marked by an assessment of his achievement as an art critic.

Architecture, Images and Image-Making Under The Stuarts

An integral part of the tumultuous political events of the century was the cultural ambition of the principal players who form the subject of this lecture.

Plastics from Potatoes, Rubber from Rice

This talk shows that the incorporation of a simple salt can lead to a flexible plastic with mechanical properties similar to oil derived plastics. Most importantly these plastics are recyclable and ultimately compostable.

China: Art, Power and Revolutions, 1950-1976

The establishment of the People’s Republic of China in 1949 gave Chinese artists a government that had explicit policies for the arts, seeing them as an essential part of the creation of ‘new China’.

King Henry III and the Communication of Power

This lecture considers how Henry III of England used art to justify monarchy at the dawn of what is commonly termed the ‘parliamentary state’.

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