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Diaghilev found that the Oriental style that had been cultivated by Russian composers was a perfect match for the Parisians’ love of exoticism, and he started to commission new ballets for this market niche.
After the UN Climate Action Summit in September, our Environment Professor will be talking to three experts about whether we still have a meaningful chance of averting a climate catastrophe, and how we can get there.
In this lecture we follow his early years, when he published The World of Art, a provocative Russian journal, exhibited Russian visual art in Paris, and then brought Russian music there, culminating in his production of Musorgsky’s opera Boris Godunov.