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The English Reformation – unlike many of the other Reformations convulsing sixteenth-century Europe – was at heart more about politics and law than about religion.
For nearly seventy years, what might be called ‘the canon’ of greatest films has been arbitrated by an international poll of critics delivering a ‘ten best’ list every decade, published in the BFI’s Sight & Sound.
Most English people initially saw the Reformation as an unexpected catastrophe, wrenching their religious lives out of shape, and stripping their communities of resources they had naively believed belonged to them.
China’s media provide a window into the Chinese mind, as the country asserts itself in the world as a great power. What do Chinese people think is the purpose of life? What matters most to them? In what do they believe? How do officials and journalists explain their responsibilities?
Rachmaninov is considered by many to be the greatest composer-pianist in history. But his very popularity has left the complexity and subtlety of his music underappreciated.
Charles Edward Stuart (‘Bonnie Prince Charlie’) is one of the most recognisable and romanticised figures of British history. Born in Rome as a Catholic prince on 31 December 1720, he led the Jacobite Rising of 1745, which came closer than anyone expected to changing Great Britain irrevocably.
Musorgsky was a proficient, but not virtuosic pianist, and most of his piano music is comprised of unambitious salon pieces. On the basis of these modest exploits, no one could have predicted his Pictures at an Exhibition.
In 1920, Nellie Melba’s singing was transmitted to Europe and Newfoundland via the wireless. In 1922 the BBC began broadcasting, and from the outset sponsored new music and relayed outside broadcasts to the nation (and from 1932, to the world).
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