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Nowhere in Europe have the wars of religion lasted longer than in Ireland. At the heart of this are two rival sets of memories of atrocities: above all, Protestants recall the massacres of the 1641 rebellion, and Catholics recall the massacres perpetrated by Oliver Cromwell in 1649.
For a decade after the execution of Charles I the Stuart courts were based in the Low Countries and France. Always short of money, but determined to maintain splendour and dignity, Charles II rented a series of mansions and used them as the headquarters of the exiled monarchy.
The lecture discusses their identities, motives and impact, and the forgotten fact that their failure ended British revolutionary fantasies for a century.
Europe’s Wars of Religion were fought against entire populations, and were punctuated by events remembered as atrocities: such as the siege of Leiden in 1573-4 or, most notoriously, the St Bartholomew’s Day Massacres in France in 1572.
Stories about islands punctuate the careers of Michael Powell and Emeric Pressburger, from Powell’s breakthrough with Edge of the World (1936) to the Hebridean journey of I Know Where I’m Going! (1945), and the final act of their Tales of Hoffmann (1951).
The myth of Santa Claus has been translated into an extraordinary market on a global scale. But how did this marketing success materialise? How did Finland become the home of Christmas?
How do the different versions reflect the politics and culture of their own particular times? What makes a good Carol movie? Is it truth to the original or is it something else?
Mary Ann Evans experienced difficult relationships with her family while growing up in Warwickshire, and with nineteenth-century London society more generally after she moved to the city and lived with a married man, George Henry Lewes.
World War Two set British filmmakers a challenge: to be relevant and entertaining and to inspire without patronising. Powell and Pressburger brought wit and imagination to their task, questioning what Britain stood for, warts and all.