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A singer in a church of 450-650 was appointed in the same way as a gravedigger - too lowly to demand the bishop's attention. Arrangements were increasingly made to school singers in the great metropolitan churches of the West, as will be demonstrated.
In this final lecture, we will focus on one of the best-preserved Diaghilev productions, The Prodigal Son, a strikingly beautiful ballet by Prokofiev/Balanchine/Rouault.
This lecture provides an insider’s brutally honest guide to what it's like to be a self-employed barrister - the highs and lows of the career, the work behind the scenes that makes a difference to outcomes in court, and the art of persuasion in it.
Diaghilev seemed to be the nemesis of traditional ballet, but he was ready to draw on the rigorous classical schooling of his dancers whenever it suited him.