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Professor Delahunty has striven to talk openly about the way in which the Family Court deals with emotive and challenging issues such as sexual abuse, child death in infancy, child neglect and child exploitation. At what personal cost is that work undertaken?
What happens when doctors and parents cannot agree on whether a child should be given experimental medical treatment? Why is there any question mark over a parent’s right to decide if medical treatment for their child continues?
Musorgsky’s opera Boris Godunov (1872) is set in the ‘Time of Troubles’, using Pushkin’s incisive verse tragedy on the chaotic period preceding the establishment of the Romanovs.
The rousing finale of Mikhail Glinka's patriotic A Life for the Tsar (1836) guaranteed it a place as the traditional season opener in Russian opera houses.
If you are a barrister you will be asked 'how can you act for someone who is guilty?'. This is just one of the ethical questions the Bar has to confront.
Who does the story belong to: the family or society? Where and how are the lines drawn? Until relatively recently the Family Court door was closed to all save the parties and professionals involved in the case.
In this lecture I will explore whether the family court system is fit for purpose when it comes to dealing with the children at the heart of its deliberations.
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