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Diminished and Augmented Chords

In this lecture, we will delve into the history of...

The Death of Richard III: CSI Meets History

The skeleton of Richard III was discovered beneath a Leicester car park in 2012. Forensic techniques were used to analyse injuries to the skull, rib and pelvis.

Napoleon: Shadows & Gardens

This lecture will explore Napoleon‘s life through his interactions with the natural world and a series of gardens that were important to him during the rise and fall of his power. The point of doing this is to approach his life from oblique angles, exploring material that is often overlooked.

What Clinicians Can Learn From Forensic Scientists

Clinical practice depends on the acquisition and analysis of evidence - detailed information from each patient’s clinical history, laboratory tests, imaging scans and biopsies. Yet data on its own is not enough, and must always be interpreted in the context of each unique person.

George IV: Radical or Reactionary?

On the 200th anniversary of George IV's accession to the throne, this lecture considers whether or not he had any real impact on the fast-industrialising world around him, and the turbulent political times he lived through.

Exporting Russia: Diaghilev’s Beginnings

In this lecture we follow his early years, when he published The World of Art, a provocative Russian journal, exhibited Russian visual art in Paris, and then brought Russian music there, culminating in his production of Musorgsky’s opera Boris Godunov.

Prokofiev's War and Peace

Sergei Prokofiev’s War and Peace (1953) was an adaptation of Tolstoy’s novel begun during WWII. He saw it as a personal interpretation of the novel.

The Cockney Romantics: John Keats and his Friends

Jonathan Bate will track Keats to Hampstead and tell of the extraordinary circle of writers – opium-eater Thomas De Quincey, essayist Charles Lamb, master-critic William Hazlitt – who wrote for The London Magazine, until its gifted editor was killed in a duel with a rival critic.

Musorgsky's Boris Godunov

Musorgsky’s opera Boris Godunov (1872) is set in the ‘Time of Troubles’, using Pushkin’s incisive verse tragedy on the chaotic period preceding the establishment of the Romanovs.

Glinka's A Life for the Tsar

The rousing finale of Mikhail Glinka's patriotic A Life for the Tsar (1836) guaranteed it a place as the traditional season opener in Russian opera houses.

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