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This final lecture will show how Shakespeare helped to immortalize the famous figures of ancient Greece and Rome, and how he in turn became famous after his death.
In this lecture, Jonathan Bate will summon up the ghosts of Old Hamlet, the victims of Richard III and Julius Caesar, revealing their origins in the bloody plays of Seneca.
The lecture asks how the ancient fables address power relations in a slave society. Were they primarily stories for and by slaves, or did they serve ruling-class interests?
Starting with literary examples from Dickens, this lecture will untangle the complexity of shadow-meaning by exploring how artists have used shadows since ancient times.
It is well known that Shakespeare lived in an age of monarchy and wrote powerfully in his English history plays about the duties of the sovereign. In this lecture, Jonathan Bate will tell another, forgotten story: of how Shakespeare was also fascinated by Roman political models.
Stereoscopic photography rapidly became a worldwide craze after the Great Exhibition of 1851. Cheap viewers and mass-produced stereographs brought startlingly vivid images within reach of a mass audience, making this the form in which most people first encountered photography.