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In the third of his lectures on the rhetoric of Romanticism, Jonathan Bate will explore how they did so, with particular emphasis on the role of children in the poetry of Blake and Wordsworth.
Leading actor and Shakespeare scholar Michael Pennington discusses the direct effect on the dramatist's writing of the theatres he wrote for, so different from ours.
At a time when religions language is meaningless or feels stale for many, we can rediscover its freshness and force in the works of novelists and poets. Lord Harries will be in conversation with Alec Ryrie, the new Gresham Professor of Divinity.
Jonathan Bate will explain what Hazlitt meant and why Lyrical Ballads, the product of Wordsworth's intimate friendship with Samuel Taylor Coleridge, is one of the greatest and most influential volumes of poetry ever written.
In the first of a series of lectures on English Romanticism, Jonathan Bate will go on a journey from the Scottish Highlands to a teenage suicide in London to the Geneva of Jean-Jacques Rousseau, in search of the origins of Romanticism.
T. S. Eliot’s “The Wasteland” was the voice of a disillusioned generation and reflected a world in disarray. This lecture will consider that conversion with three interlinked questions in mind: From what was he converted? Why did he convert? What was the immediate effect of that conversion?
Simon Lancaster believes that the successful speechwriter is less of a puppeteer and more of an impressionist. In his talk, he will share a number of stories and anecdotes from his time as speechwriter.