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How do the different versions reflect the politics and culture of their own particular times? What makes a good Carol movie? Is it truth to the original or is it something else?
Sydney’s botanic garden, founded in the early nineteenth century, was expected to ship new plants 'home' to the Royal Botanic Gardens, Kew, from where they could be transplanted to other colonial gardens, to see if they could become valuable new crops to enrich the British Empire.
Mary Ann Evans experienced difficult relationships with her family while growing up in Warwickshire, and with nineteenth-century London society more generally after she moved to the city and lived with a married man, George Henry Lewes.
World War Two set British filmmakers a challenge: to be relevant and entertaining and to inspire without patronising. Powell and Pressburger brought wit and imagination to their task, questioning what Britain stood for, warts and all.
This lecture will begin with Bacon’s imagined garden, then consider the long-term promise of the experimental or scientific garden, which would eventually lead to today’s biotechnologies.
This lecture explores how the partnership worked during the 1940s, drawing in collaborators from many backgrounds who also excelled, and benefiting from the extraordinary conditions of wartime Britain.
Jonathan Bate will track Keats to Hampstead and tell of the extraordinary circle of writers – opium-eater Thomas De Quincey, essayist Charles Lamb, master-critic William Hazlitt – who wrote for The London Magazine, until its gifted editor was killed in a duel with a rival critic.
In the 1960s, British filmmakers broke out of the studio to find new subjects among the young, fashionable and disadvantaged, seen in their natural habitats – not only in the North and Midlands, but in unfamiliar parts of London.