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Diaghilev found that the Oriental style that had been cultivated by Russian composers was a perfect match for the Parisians’ love of exoticism, and he started to commission new ballets for this market niche.
When Thomas Sprat’s The History of the Royal-Society of London appeared in 1667, it was less a history than a manifesto for the future, designed to convince Charles II that experimental research was a worthwhile investment.
In this lecture we follow his early years, when he published The World of Art, a provocative Russian journal, exhibited Russian visual art in Paris, and then brought Russian music there, culminating in his production of Musorgsky’s opera Boris Godunov.
Dr John Guy presents a special illustrated lecture to commemorate the 500th Anniversary of the birth of the College’s founder and benefactor Sir Thomas Gresham.