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In the last ten years of his life Charles Dickens related to his adoring public in a number of different ways; as novelist, as journalist, as public speaker, and in public readings of his own work.
Italo-Byzantine art will be considered as background to the early or ‘proto’ Renaissance at a time when Italy was a focus of stylistic cross-currents from South, East and Northern Europe.
London in the 1950s and 60s was a crucible in which West Indian writers, artists, thinkers and scholars imagined new futures for the Caribbean, Britain and the world.
On the 200th anniversary of the birth of Friedrich Engels, his biographer Tristram Hunt looks at how both Engels and Karl Marx were deeply affected by their time in London in the second half of the 19th century.
Mathematics and art are more similar than is commonly thought. Each is concerned with the process of being highly creative with abstract objects and of producing everlasting work of great aesthetic beauty.
This lecture will explore how the influence of Thomas Becket permeated city life in medieval London until Henry VIII ordered the destruction of his shrine and the removal of his name from all liturgical books.