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England’s Reformation was supposed to bind the nation into a single ‘Church of England’. In fact the country was shattered into a kaleidoscope of religious variety.
The Jewish communities of London have a rich musical-liturgical history, stretching back to the mid-17th century. This lecture will consider some of the main musical developments since then.
Lord Richard Harries has selected 30 images to convey the essential truths of the Christian faith, some ancient and some modern. Drawn from both the West and the East, a few are well-known masterpieces and others will be unfamiliar.
The criminalisation of religious speech before the ordinary courts in England began in 1676. Although the law on blasphemy was finally abolished in 2008, many of the troubling aspects of the old law remain in the form of the offence of incitement to religious hatred.
On 17 August 1982, the first commercial CD was released. Digital recording and editing have changed the face of music by making recordings easy to originate and share. But has this affected musical quality, and what are the financial and artistic consequences?
Cinema’s original canons were based on a small number of works most highly esteemed by archivists and historians. But access to the history of film has been dramatically expanded by digital media, as have debates between those arguing from different premises.
When England’s Reformation began, only a small band of idealists – or fanatics – truly wanted a Protestant England. Nevertheless, within a single lifetime, they achieved it.
Canons of taste and value in other media, such as literature, art and music, have been challenged in recent decades by proponents of sexual and ethnic equality.
The English Reformation – unlike many of the other Reformations convulsing sixteenth-century Europe – was at heart more about politics and law than about religion.