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Offensive Shakespeare

From The Merchant of Venice to The Taming of the Shrew, it’s easy to see how Shakespeare’s plays can cause offence to contemporary audiences. Is it harder to teach Shakespeare today than in the past? Have ideas about what is offensive in Shakespeare changed over time?

War Games at the Field of the Cloth of Gold

2020 marks the 500th anniversary of the Field of the Cloth of Gold, one of the most extraordinary diplomatic events of the late medieval period.

Thomas Becket and London

This lecture will explore how the influence of Thomas Becket permeated city life in medieval London until Henry VIII ordered the destruction of his shrine and the removal of his name from all liturgical books.

Clara Schumann (1819-1896): The Unsung Heroine of Romanticism

This lecture-recital will explore the life of Clara Schumann (1819-1896) through her music and surroundings, her achievements and influencers.

1928 – Annus Mirabilis of the Christmas Carol

Jeremy Summerly and the St Luke’s Carollers make a case for 1928 as the year in which the Christmas carol went viral.

How the English Learned to Hate Catholics

Medieval England was proudly Catholic and ostentatiously loyal to Rome. But from the late sixteenth century until recent times – and even now – anti-Catholic prejudice has been a cornerstone of English and British identity.

Freedom Song: The Fisk Jubilee Singers' Story

A choir of ex-slaves, raising funds to build their University, toured America from 1871, suffering discrimination and hardship.

Exporting Russia: Diaghilev’s Beginnings

In this lecture we follow his early years, when he published The World of Art, a provocative Russian journal, exhibited Russian visual art in Paris, and then brought Russian music there, culminating in his production of Musorgsky’s opera Boris Godunov.

Prokofiev's War and Peace

Sergei Prokofiev’s War and Peace (1953) was an adaptation of Tolstoy’s novel begun during WWII. He saw it as a personal interpretation of the novel.

The Unacclaimed Accompanist

Graham Johnson examines a problematic profession that continues to attract many gifted young pianists to its ranks and asks why.

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