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In this final lecture, we will focus on one of the best-preserved Diaghilev productions, The Prodigal Son, a strikingly beautiful ballet by Prokofiev/Balanchine/Rouault.
This lecture uses examples from cutting-edge science and medicine to explore the ethical questions which advances in robotics, personalised medicine, transplantation and artificial intelligence pose for doctors, patients and society.
Diaghilev seemed to be the nemesis of traditional ballet, but he was ready to draw on the rigorous classical schooling of his dancers whenever it suited him.
Lung cancer is the second most common cancer in both men and women, but kills the most people through a combination of being common and currently having much less effective treatment. Both treatment and prevention are currently improving, slowly.
This lecture examines the fascination surrounding works that are left unfinished at their composers’ deaths. It also looks at the urge that certain of us have to complete these uncompleted works, however unwisely and however unbidden.