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This opening lecture of the series, with musical illustrations, will use documents, poetry and images to bring the instrument to life, with a particular focus on the autobiography of the beguiling Tudor musician Thomas Whythorne.
A dialogue with Philip Pullman's complex 'Dark Materials' trilogy which provides a framework for discussing how human beings relate to the material world, and the origin of evil.
South Africa’s Dutch Reformed Church (DRC) and the Afrikaner people it served had, since the 17th century drawn a distinction between white ‘Christians’ and the apparently unconvertible ‘heathen’ peoples around them. Theology legitimised apartheid, but was also instrumental in its end.
Can we give a purely scientific account of human nature in terms of its physical, chemical and biological components. Richard Dawnkins' 'The Selfish Gene' is considered to see how a scientific narrative about selfish genes might correlate with a theological narrative about sin.
A musical journey into The Orgelbüchlein - the jewel in Bach's organ music - a collection of magnificent miniatures which encompass all the musical emotions and which allow the organist to show all the colours and sonorities of the instrument at his disposal.
An exploration of how so many Christians came to support Nazism, and how some managed to oppose it: from the dejudaised Christianity of the ‘German Christian’ movement, to illicit collaboration of the supposedly anti-Nazi 'Confessing Church'.