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The rousing finale of Mikhail Glinka's patriotic A Life for the Tsar (1836) guaranteed it a place as the traditional season opener in Russian opera houses.
Leading actor and Shakespeare scholar Michael Pennington discusses the direct effect on the dramatist's writing of the theatres he wrote for, so different from ours.
Jonathan Bate will explain what Hazlitt meant and why Lyrical Ballads, the product of Wordsworth's intimate friendship with Samuel Taylor Coleridge, is one of the greatest and most influential volumes of poetry ever written.
What does it mean to listen to music? How might the concepts and practices of 'listening' and 'music-making' have first emerged in the story of human development?
In the first of a series of lectures on English Romanticism, Jonathan Bate will go on a journey from the Scottish Highlands to a teenage suicide in London to the Geneva of Jean-Jacques Rousseau, in search of the origins of Romanticism.