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This opening lecture of the series, with musical illustrations, will use documents, poetry and images to bring the instrument to life, with a particular focus on the autobiography of the beguiling Tudor musician Thomas Whythorne.
Frost's line, 'I found a dimpled spider... holding up a moth like a white piece of rigid satin cloth' exploits simile... But how can a moth be like cloth? -This is one of a number of examples that will be explored with a view to refining our understanding of smilie.
A musical journey into The Orgelbüchlein - the jewel in Bach's organ music - a collection of magnificent miniatures which encompass all the musical emotions and which allow the organist to show all the colours and sonorities of the instrument at his disposal.
In the line, 'The Western wave was aflame', the 'Western wave' refers to the sea. But is it this simple? What do forms of substitution, synecdoche for example, lend to this magnificent and shadowy poem?
In the year 754 the first pope ever to cross the Alps came to a small chapel in what is now northern France and prostrated himself before the king of the Franks, beseeching him for military aid.
'When well-appareled April on the heel / Of limping winter treads'. A calendar month cannot dress, nor can a season walk. This lecture will explore the magic of personification in Shakespeare's poetry.
This lecture will explain why Scott’s romanticised representations of Scotland were such a hit, and how his enduring legacy has helped or hindered Scotland as it seeks to define its place in Britain today.
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