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On 17 August 1982, the first commercial CD was released. Digital recording and editing have changed the face of music by making recordings easy to originate and share. But has this affected musical quality, and what are the financial and artistic consequences?
From Horace Walpole to Ann Radcliffe, renegade novelists of the eighteenth century wanted to claim back the supernatural for fiction and so invented the Gothic Novel.
In the last ten years of his life Charles Dickens related to his adoring public in a number of different ways; as novelist, as journalist, as public speaker, and in public readings of his own work.
Prokofiev’s piano music struck his contemporaries as matching the new era: its dynamism was compared to sport (“football music”), and its grinding repeated patterns to industrial sounds (“machine music”).
Scriabin was Rachmaninov’s classmate at the Moscow Conservatoire, and enjoyed comparable fame during his lifetime, and yet today he is much less known, especially outside Russia.
Amelia Dyer was one of the most prolific murderers in Victorian Britain. She made a living as a “baby farmer”, or someone paid to care for unwanted or abandoned infants – except she killed around 400 of them. How could a mother and nurse murder so many defenceless babies?
This lecture will look at change ringing, which is ringing a series of tuned bells (as you might find in the bell tower of a church) in a particular sequence, and this has exciting mathematical properties. We will also ask: why are bells bell-shaped?
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