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Toy pianos were first made in the 19th century. This lecture/recital tells the story of an instrument originally marketed at children, that subsequently made a surprising transition into the professional sphere.
Shostakovich had considered the career of a concert pianist, yet his piano music studiously avoids the virtuosity he had assiduously cultivated as a young performer. Almost all his piano writing is in some way experimental and conceptual.
Space today is terrifyingly silent. But it wasn’t always thus: the early universe was filled with a hot plasma in which sound waves could travel. The cosmos was quivering with the aftershocks of the Big Bang.
On 17 August 1982, the first commercial CD was released. Digital recording and editing have changed the face of music by making recordings easy to originate and share. But has this affected musical quality, and what are the financial and artistic consequences?
Prokofiev’s piano music struck his contemporaries as matching the new era: its dynamism was compared to sport (“football music”), and its grinding repeated patterns to industrial sounds (“machine music”).
Scriabin was Rachmaninov’s classmate at the Moscow Conservatoire, and enjoyed comparable fame during his lifetime, and yet today he is much less known, especially outside Russia.
This lecture will look at change ringing, which is ringing a series of tuned bells (as you might find in the bell tower of a church) in a particular sequence, and this has exciting mathematical properties. We will also ask: why are bells bell-shaped?
Boris Ord composed one tiny Christmas carol – ‘Adam lay ybounden’. But Ord’s largest contribution to the carol genre was his work as choirmaster at King’s College, Cambridge from 1929 to 1957.
Today's event
Today's event, The Gresham Festival of Musical Ideas, will not be livestreamed. Recordings of all lectures will be published soon!