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Musorgsky's Boris Godunov

Musorgsky’s opera Boris Godunov (1872) is set in the ‘Time of Troubles’, using Pushkin’s incisive verse tragedy on the chaotic period preceding the establishment of the Romanovs.

The Theatre of Dionysus

This lecture outlines the origins of Greek drama in this historic setting, its architectural development and some of the greatest masterpieces.

What is Greek Theatre?

Prof. Edith Hall breaks down the tragedy from the comedy...

Glinka's A Life for the Tsar

The rousing finale of Mikhail Glinka's patriotic A Life for the Tsar (1836) guaranteed it a place as the traditional season opener in Russian opera houses.

Shakespeare's Stages

Leading actor and Shakespeare scholar Michael Pennington discusses the direct effect on the dramatist's writing of the theatres he wrote for, so different from ours.

Shakespeare's Fame

This final lecture will show how Shakespeare helped to immortalize the famous figures of ancient Greece and Rome, and how he in turn became famous after his death.

Shakespeare's Ghosts and Spirits

In this lecture, Jonathan Bate will summon up the ghosts of Old Hamlet, the victims of Richard III and Julius Caesar, revealing their origins in the bloody plays of Seneca.

It is well known that Shakespeare lived in an age of monarchy and wrote powerfully in his English history plays about the duties of the sovereign. In this lecture, Jonathan Bate will tell another, forgotten story: of how Shakespeare was also fascinated by Roman political models.

Shakespeare's Lovers

The Rape of Lucrece set the mould for Shakespeare’s exploration of the tragic consequences of sexual desire turning to violence. Jonathan Bate will show how Shakespeare developed these themes from his reading of the great Roman poet Ovid.

The Age of Tyrants: Sappho via Gounod's Opera

This lecture uncovers what we know about the ‘real Sappho’, an aristocrat who lived between 630 and 570 BCE on the island of Lesbos and socialised in the lavish courts of upstart tyrants.

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